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2013年01月16日

Archive

The pictures that had been presented at Temi’s Gallery were now put in the other blog. This is done only to satisfy myself, but if you missed to see your group dance photo, please take a look. Due to the size and resolution, some may look nicer here than at the gallery. The exhibitions shown in gray were omitted since they are doubled with other ones. Other than these, there are about 150 pictures that were presented at the adult corner, but they are not included here.
Archive: http://temitemi.slmame.com/ 



The blog articles are in chronological order, but there are some categories set. Dance groups other than Maihime are included in the ‘Dance Group’.
  

Posted by Temi Oyen at 06:51Comments(0)Temis Gallery

2013年01月13日

New Year’s Day

It is said that a service for Phoenix viewer had been terminated. I may have to switch to Firestorm. It is a pain to go out from the accustomed viewer. There is a mode similar to the old Phoenix in the Firestorm, so I would practice by using this for a while. This is the New Year’s Day at Baba meeting area. The house was small and it was hard to set camera position to see peoples coming in and out. The derender function is convenient in this situation.




The house was erased in the right picture. Linked parts will be erased in a lot, so this house was erased by one crick. The shelf of gods and drawers were not linked. It was lucky that the tatami mat was not linked otherwise we had to sit on the snow directly.




It is possible to pull the camera back by erasing the house. This is good when there are some obstacles in front. It is a bit unhandy that all objects should be erased one by one if they were not linked. Never erase someone’s house to peep in!




In order to put the erased objects back, touch Phoenix-Asset Blacklist and crick the object, ‘Remove’, then change your group to other one. The ‘Asset Blacklist’ is located under the ‘World’ in Firestorm. The item list can be sorted by date. The below shows the process when the house was coming back. If you put all objects back, touch the ‘Rerender all objects’ at the bottom right. This hose seems to be made by sculp.

  

Posted by Temi Oyen at 07:50Comments(0)Photo techniques

2013年01月10日

First visit to the shirine

The annual New Year’s party was held at Baba on Jan.5. After dancing at Baba, we visited Daiinari shrine. You will incur a curse if you do not worship properly. Does it mean that you did not make an offering?




A commemorative photo for the record. Since it was hard to line up all of us, sorry for someone who was not included.




Worshiping the rising sun. It is insignificant to be pleasurable since the sun can be adjusted freely.




Then we moved to a shore with the splendor of the setting sun. I tend not to use local climate setting. I am often watching different scenery than others.




Someone said it is hard to distinguish the rising sun and evening one. For confirmation, this is the setting sun. Do not mention that it is strange to see both at the same place. In order to adjust the sun position, crick World - Environment Settings - Environment Editor-Advanced Sky – Lighting - East Angle and Sun/Moon Position.




We went to banquet after the worship. We are waiting for Kazumi the party organizer who dropped out.




The place was modest but cozy. Thank Kazumi for whole arrangement. For the members who were in at the finish, Lemon and Xpyoda presented live guitar performance. Lemon did real live starting from tuning his guitar. Wish you all a good year!

  

Posted by Temi Oyen at 07:07Comments(0)Baba Meeting Area

2013年01月07日

Triptych

The December theme for UWA 3D Art Challenge was Triptych that is a work of art, usually a panel painting which is divided into three sections and can be folded shut or displayed open. The triptych form arises from early Christian art, but this tine any three-part art will be acceptable. Maybe because it is originally two-dimensional, it might be difficult to apply for 3D arts and applicants are not so many this time.
Triptych: http://slurl.com/secondlife/UWA/42/214/451




This is not an art for exhibition but a kind of decoration of the site, Triskelion by FreeWee Ling. A triskelion is a motif consisting of three bent human legs or any three interlocked spirals. If there are four, it will be tetraskelion, the fylfot Buddhist cross.




A triskelion comes out by touching the base and run all the way to the end of SIM through several jumping ramps. FreeWee is working for this problem and always providing some interesting trick arts.




Many triskelions come out by battering the base. They are running into each other and some of them jumped high, pushed aside, or stopped at all.




It is joyful to see many wheels running to the SIM edge far away. There is variation in running course and I enjoyed looking them for a long period. But it seemed that there was some limitation and there was no wheel to go different way although I kicked them intentionally. As usual, other arts were derendered temporarily.

  

Posted by Temi Oyen at 07:01Comments(0)UWA

2013年01月04日

Aery Piano

Visited LEA December exhibition, Konnected Piano by Marx Catteneo. A huge art with many bars floating in the air. It was hard to take picture since it looked same from any angle. I shot some with changing lighting.
LEA18: http://slurl.com/secondlife/LEA18/126/131/1150 




I think that any object can make an art if there is a lot of it. I have seen some, but this could be the highest number. About three thousands of bars are piano strings respectively and generate sounds by touching it. The black spot at the middie is me.




It is easy to play sounds by flying with a hemisphere provided at the center stage. It was said that the sounds were sampled from 92 piano keys, but normally a piano has only 88 keys, and an exception is 97 keys of Besendorfer with low keys for resonance. So the piano modeled after could be a customer built? The tones that were generated by flying around are mainly C, E, and A, including D, G, or H for the rare occasion, providing a music in a minor key. It may be hard to tune three thousand keys individually, but it could have been more interesting if the chord or range were different according to the flying area or height.

  

Posted by Temi Oyen at 06:50Comments(0)LEA